About

A sleeve and packaging system for an independent record label — album artwork, gatefold, labels, and a typographic language that holds a whole release slate together.

Category

Packaging Design

Industry

Music & Publishing

Year

2025

Timeline

11 weeks

Record sleeve artwork held against a plain wall

Problem

Signal released beautiful records that looked like they came from ten different labels. Each sleeve was commissioned separately, so nothing tied a listener's second purchase back to their first. In a record-store bin, where the spine and the top third of a sleeve are all anyone sees, the label was effectively invisible.

Album sleeve design laid flat
Stack of vinyl records seen from the edge
Vinyl sleeve and inner sleeve detail
Record store racks showing sleeve spines

Solution

We designed a packaging system rather than a set of covers. A fixed grid, a single typographic voice, and a consistent spine treatment give every release a family resemblance while leaving the artwork field open to each artist. Catalogue numbering, colour-coded inner sleeves, and a gatefold template extend the system from 7-inch singles through to double LPs, so the label can brief an artist in a page instead of a meeting.

Turntable playing a record from the series
Close crop of stacked record spines
Printed sheets showing the ink and paper stock
Analog mixing desk in the label's studio

Result

The slate finally reads as one label. Regulars started recognising a Signal spine across the bin, and the catalogue system turned a scattered back catalogue into something collectors work through in order. Artists get real freedom inside the artwork field while the label keeps its voice, and the templates cut sleeve production from weeks of back-and-forth to a predictable handoff.

Browsing crates in a record shop
Records fanned out to show the catalogue system

About

A sleeve and packaging system for an independent record label — album artwork, gatefold, labels, and a typographic language that holds a whole release slate together.

Category

Packaging Design

Industry

Music & Publishing

Year

2025

Timeline

11 weeks

Record sleeve artwork held against a plain wall

Problem

Signal released beautiful records that looked like they came from ten different labels. Each sleeve was commissioned separately, so nothing tied a listener's second purchase back to their first. In a record-store bin, where the spine and the top third of a sleeve are all anyone sees, the label was effectively invisible.

Album sleeve design laid flat
Stack of vinyl records seen from the edge
Vinyl sleeve and inner sleeve detail
Record store racks showing sleeve spines

Solution

We designed a packaging system rather than a set of covers. A fixed grid, a single typographic voice, and a consistent spine treatment give every release a family resemblance while leaving the artwork field open to each artist. Catalogue numbering, colour-coded inner sleeves, and a gatefold template extend the system from 7-inch singles through to double LPs, so the label can brief an artist in a page instead of a meeting.

Turntable playing a record from the series
Close crop of stacked record spines
Printed sheets showing the ink and paper stock
Analog mixing desk in the label's studio

Result

The slate finally reads as one label. Regulars started recognising a Signal spine across the bin, and the catalogue system turned a scattered back catalogue into something collectors work through in order. Artists get real freedom inside the artwork field while the label keeps its voice, and the templates cut sleeve production from weeks of back-and-forth to a predictable handoff.

Browsing crates in a record shop
Records fanned out to show the catalogue system

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